EDWARD WILLIAM COOKE, R.A.

(London 1811 – 1880 Groombridge, Kent)

Venice: Sunset on the Bacino di San Marco, looking West, with San Giorgio Maggiore, Santa Maria della Salute, the Campanili of the Basilica of the Frari and of San Marco and the Doge’s Palace

Oil on paper laid on canvas

10 ¾ x 17 ¼ in. (27.2 x 44 cm.)


Provenance

Private collection

E.W. Cooke first visited Venice on 26 August 1850, recording in his diary that 'when the boat entered the Grand Canal, after passing the Salute the Moon rose and revealed the glories of the scene...the Piazza exceeded all that I could possibly have imagined'. The city was particularly captivating to an artist like Cooke who revelled in painting seascapes and boats as well as landscapes and topographical scenes. He returned to Venice on many subsequent sketching trips, making his last visit in 1877. Cooke made a particular study of the variety of different vessels to be found on the waterways of the city, displaying an understanding of their structure which is not necessarily evident in the work of other artists who specialised in Venetian subjects.

Following the early death of his wife in 1844, Cooke adopted a peripatetic lifestyle, travelling extensively in Britain and Ireland as well as making regular visits to Europe. Whilst travelling, Cooke filled scores of sketchbooks with meticulous pencil drawings of seascapes, landscapes, architecture and local scenes, building up a stock of some 20,000 sheets over the course of his career. Cooke sketched and painted continuously when staying in Venice, and his work there certainly bore fruit, as the city provided the subject for virtually the rest of his exhibiting career, to the point that he was nicknamed 'Venetian Cooke' or 'Il Lagunetto'.